Antonella Piscitelli, graduated in Musical Disciplines with full marks and honors.
Graduated in Violin, Chamber Music, Didattic of Musica and Singing, she perfected herself with
illustrious teachers including, Rossi, Vernikov, Berinskaja, Bogdanovic.
Selected after an audition of Uto Ughi among the best graduate students of the Italian Conservatories, she participated in his masterclass and in the final concert with the maestro, for the Festival “Uto Ughi per Roma.
From a very young age she embarked on a brilliant concert career both as a solo violin with the Orchestra, and in various chamber ensembles: in duo with the piano, in string trio and with the piano, in duo and trio with the basso continuo having deepened the study of historically informed
Baroque and Classical practice on original instruments.
As a solo Violinist with the Orchestra she played the Concerts of the composers of the Baroque and
Classical period, Vivaldi, Mozart, Locatelli and Haydn, for prestigious Concert Associations in Italy
and abroad, the third and fifth Mozart concerts in Korea of the South, Piazzolla’s Seasons at Teatro
Piccinni in Bari and Vivaldi’s Seasons in Moscow.
She also played Arvo Part’s Tabula Rasa for two violins and orchestra.
She has performed in the most important Theaters and Concert Halls in Europe (Austria, Germany,
Portugal, Bulgaria, Belgium, France, Norway, Spain, Switzerland) and overseas (Japan, Mexico,
South America, Russia, South Korea).
Among the most important Concert Institutions and Festivals we mention: Teatro alla Scala, Accademia Musicale Chigiana, Unione Musicale di Torino, Accademia di Santa
Cecilia, Teatro Regio di Torino, Amici della Musica di Firenze, Camerata musicale Barese, Ravenna
Festival, Festival Galuppi in Venezia, Teatro Piccinni in Bari, Teatro Curci in Barletta, Teatro F.
Stabile in Potenza, Teatro delle Muse in Ancona, Teatro Rossini in Pesaro, Festival di musica da
Camera di Genova e Savona, Cidim, Amici della Musica F. Fenaroli in Lanciano, Teatro Rossini in
Gioia del Colle, Amici della Musica di Foggia, Teatro Petruzzelli, Teatro Lirico di Cagliari, Teatro
Carlo Felice di Genova, Festival della Valle d’ Itria, Cite de la Musique in Parigi, Herkel Theatre in
Budapest, Lisinski Hall in Zagabria, Palaise de la Musique et des Congres in Strasburgo, Auditorio
de Barcellona in Spagna, Pavilhao Atlantic in Lisbona, Conservatorio Reale in Bruxelles, Festival
di Montreaux in, Switzerland Universitaskirche in Wien, Saarbrucker Kammermusiktage in
Germany.
Among the overseas theaters: Teatro Colon di Buenos Aires in Argentina, Teatro Ateneo di Buenos
Aires, Teatro Municipal di Santiago in Cile, Sala S. Paolo in Brasile, Teatro Pedro II di Riberao
Preto in Brasile, Teatro Ateneo in Argentina, Teatro de la Ciudad di Città del Messico, Festival E.
Mata in Messico, Amigos de la musica de Cuernavaca in Messico, Teatro Coliseo di Buenos Aires
in Argentina, Sala Balzo di Montevideo in Uruguay, Teatro El Circulo di Rosario in Argentina, and
in the most important Theaters of Japan including Tokyo Bunka Kaikan, Nakano Zero Hall in
Tokyo, Hokkaido Koseinenkin Kaikan in Sapporo, Chigasaki Shimin Bunka Kaikan, Tokorozawa
Muse, Ina Bunka Kaikan, Fukuoka Acros Symphony Hall, Kobe Kaikan, Hiroshima Koseinenkin
Kaikan, Nagoya Aichi Prefectural Art Theatre.
She also played and recorded in Italy, in the Cappella Paolina for “I Concerti al Quirinale” live on Rai Radio Tre and also recorded for German Radio R2, Uruguayan State Radio, Mexican State Radio, Vatican Radio, opus 111, Bongiovanni.
She has collaborated with important symphony orchestras including:
Orchestra Toscanini, Orchestra Cantelli, Orchestra Internazionale d’Italia, Orchestra Filarmonica
Marchigiana, Orchestra Sinfonica Pescarese, Orchestra del Teatro Lirico Sperimentale di Spoleto,

Orchestra del Teatro Lirico di Cagliari, Orchestra U. Giordano, Orchestra N. Piccinni, Orchestra
Federico II, Orchestra Giovanile Pugliese.
Antonella Piscitelli, has deepened the study of historically informed performance practice, and parallel to her academic studies she has begun to collaborate with the most prestigious Italian Baroque Ensembles such as Accademia Bizantina, Accademia Montis Regalis, Cappella di San Lorenzo, Cappella Palatina, Confraternita de’ Musici, Academia de li Musici, la Lira di Anphione.
In many concerts she has played the trio sonatas by Corelli, Vivaldi and Migali and played the first
execution in modern times of the complete quartets of the Apulian composer Gaetano Latilla, as
well as world premieres of the chamber, symphonic and operatic repertoire of the eighteenth
century with ensemble and specialized orchestras, including the Opera “Cecchina” by the Pugliese
composer Piccinni in collaboration with the Teatro alla Scala.
During his concert activity she has collaborated with the greatest conductors and musicians
including: Mazeel, Ughi, Bashmet, Renzetti, Wilson, Dantone, Palumbo, Kuhn, Benini, Aprea, Bellugi, Gelmetti, Luisi, Rozhdestvensky, Jurowski, Kozena, Antonacci, Verrett, Desderi, Segalini, Brunello, Filippini and others.
She has recorded for the record labels Opus 111, Nova et Antiqua, Phoenix record, Agorà, Radio Vaticana, Velut luna, Bongiovanni.
She taught Violin and Chamber Music in italian conservatories and currently holds the chair of
Violin at the N. Piccinni Conservatory in Bari.